I was supposed to do great things I know the road was long But I wasn't raised to shoot for fame I had the safety on
I cut my ties, I sold my rings I wanted none of this If you start from scratch you have to sing Just for the fun of it I’d be alright, if I could just see you Come up for air, come up for air A miracle mile, where does it lead to Come up for air, come up for air
I feel the air upon my face Forget the mess I'm in Hold me again, don't count mistakes I lost track of them I’d be alright, if I could just see you Come up for air, come up for air A miracle mile, where does it lead to Come up for air, come up for air I was in the mud, I was in the dirt Went underground and I found what I was worth All alone and I know I can't stay But we're walking up and down the streets to stay awake Come up for air, come up for air, come up Come up for air, come up for air, come up Come up for air, come up for air, come up Come up for air, come up for air, come up Get outside, get all over the world You learn to love what you get in return It may be permanent, it may be peace of mind But you have to slow down and breathe one breath at a time Come up for air, come up for air, come up Come up for air, come up for air, come up Come up for air, come up for air, come up Come up for air, come up for air, come up
CWK circa 2013
Matt Maust, Nathan Willett, Dann Michael Gallucci, and Matt Aviero
I’d be alright, if I could just see you Come up for air, come up for air A miracle mile, where does it lead to Come up for air, come up for air
from the Dear Miss Lonelyhearts album (2013)
Directed & Produced By: Vern Moen / Long Beach Film Co
Jesus Christ, girl What are people gonna think When I show up to one of several funerals I've attended for grandpa this week With you With me
Someone's got to help me dig Someone's got to help me dig Jesus Christ, girl It hasn't been long so it seems Since I was picking out an island and a tomb for you At the Hollywood Cemetery You kiss On me We should let this dead guy sleep We should let this dead guy sleep
Actress Aubrey Plaza and Father John Misty
Jesus Christ, girl I laid up for hours in a daze Retracing the expanse of your American back With Adderall and weed in my veins You came I think 'Cause the marble made my cheeks look pink But I'm unsure of so many things Ooh Someone's got to help me dig Someone's got to help me dig Someone's got to help me dig
Video Director: Noel Paul
Video Production House: Frenzy Paris
Video Producer: Elsa Rakotoson
Director of Photography: Michael Ragen
Featuring: Aubrey Plaza (so cool!)
All I want to do is get up get up get up In the morning in the morning And not want to die tomorrow tomorrow tomorrow
I feel alright when I think about you Walking through a star field covered in light Wasted like you're losing your job you're so fired Just like the ones you used to make fun of It's beautiful sorta, beautiful sorta Beautiful sorta but not Beautiful sorta, beautiful sorta Beautiful sorta but not All I want to do is get high get high get high In the evening in the evening And not want to die tomorrow tomorrow tomorrow I'm buzzing like a jar full of lightening bolts! Wasted like a bum with somebody's wallet Pictures inside of you and I wasted and sad I'm past sorry It's beautiful sorta, beautiful sorta Beautiful sorta but not Beautiful sorta, beautiful sorta Beautiful sorta but not I do anything I can to remove you but it hurts From all the shit that we started It's beautiful sorta, beautiful sorta Beautiful sorta but not Beautiful sorta, beautiful sorta Beautiful sorta but not
Friday Night Firsts - Boston's Bad Rabbits just released a new single and I thought it might help to get you in the mood for the weekend. In Their Own Words - "Like some kind of sonic Pulp Fiction, Bad Rabbits fuse futuristic R&B and post-rock for a slick one-two punch. What are Bad Rabbits? Think Sly Stone fronting Bad Brains, and you're maybe a third of the way there."
While the wheels appear to be coming off our society, both here and abroad, the arts are alive and well. In fact, 2018 was one of the best years in a generation for poster art that celebrates film.
TOP 20 MOVIE POSTERS OF 2018
Limited edition work is always sought after with the artist and film influencing value. (Pursuit on the secondary market can be exceptionally fun but really expensive. You have been warned.) These are the best of the best.
Paul Mann is a illustrator and painter with a penchant for collage-style compositions. From what I know of of the man's work, he is primarily a painter - which lends himself to classic roles. His work here on Dr. No (1962) is outstanding. The Bond is classic, demure and perfectly British. But it's the other elements of the art that really sing. This poster offers the backdrop of a secret island with the mysterious and lovely Ursula Andress and that fire-breathing armored car.
You can tell Mann spent a lot of time with this movie before executing the piece. His custom font for 'Dr. No' in the title block and the credits running at the bottom are precision-defined. It's the little details, like the dots on the poster - which match the film's opening sequence, that really put this thing over the top. Movie Poster Art of the Year for me. And no, I didn't get one.
Annihilation (an Alex Garland film) was the most inspired, beautiful and troubling film I've seen in years. For me it was the movie of the year. Annihilation's lush, embracing sets are the perfect backdrop for confronting debates on creation and faith. Of connection and loss. Dealing with eternity and with nothingness. Natalie Portman's character faces mind-crushing mutations, new life and sudden death. Several artists this year took a stab at producing art for the movie. Today we will visit two of these that got it completely right and in very different ways.
Tomer Hanuka is an award-winning, New York Times best-selling illustrator and cartoonist. His finest works are silent, casual impressions of life in the modern time. He juxtaposes images side by side to demonstrate a quiet turmoil or a complex thought with, what appears to be, minimal effort. Annihilation is a difficult film to discuss with those who haven't seen it. It's got elements of drama, suspense and terror but it's much more than that. When I first heard whispers Tomer was going to take on Annihilation I got excited. (I'm sure that Garland had all kinds of ideas for his film.. but it's like the movie was made for Tomer Hanuka's art.)
The light or "shimmer" from the film is enveloping more and more land and whatever goes in doesn't return the same. The way Director Garland depicts that change was likely an opportunity and a challenge for visual artists. Meeting this challenge, Hanuka called for special foil papers and brilliant colors - it's an arresting image for sure. What you see here are his regular and variant version of the poster. Beautiful work.
PRESS PLAY Matthew and the Arrogant Sea web / tw / fb / ig
Rory Kurtz is an illustrator and artist from Chicago. Focusing in pencil, ink, and digital paint, Rory has carved out his niche as a unique voice in the illustration community. Each of his pieces are individualistic yet share a sense of fantasy in a modern reality. He's taken the world by storm the last few years Rory Kurtz has taken the poster art world by storm the last two years. (I'm pretty positive his Casablanca, Clockwork Orange, Drive, and The Graduate posters are the best of a generation.) But we're here today to talk about the man's take on Annihilation.
Kurtz's technique uses clean lines to often convey complicated subjects and ideas. Most of his pieces represent an "artist's snapshot" of a single moment or scene of a film. Annihilation is a concept piece that breaks the scene rule in spectacular fashion (as did the aforementioned Clockwork Orange) by removing all references around the subject. The subject is life represented by an amalgam of plant and animal life taking on a human form. The subject - a representation of "the shimmer's" impact on natural life. The subject is being re-created into new life. Kurtz's unique serif font floats above the mutant life. It's serif-font title above and apart from this magic - making for a beautiful, if not jarring, picture. A fitting celebration of the film.
Take a look back at how different Kurtz and Hanuka represented the same film property. It's amazing to have two posters for the same movie have such different approaches. And both brilliant!
A few illustrators and silkscreen artists dominated in 2018 - soaring from relative obscurity to a level of notoriety that only comes with considerable exposure. The illustrator Sara Deck is one of these champions. I could have easily put three of Sara's works on this list without much pause.
Deck's Suspiria is dark and rich. Her dedication to color as a means to invoke life and depth of emotion is a recurring theme in her work. Here she presents the power of a haunted dancer who captivates without movement or eye contact! Be on the look out for more Deck in 2020; like this poster - she's on fire.
Another artist on his own meteoric run - this list celebrates the work of the talented Ruiz Burgos, who is responsible for not one but two of my top ten posters of the year. What's especially odd about this development was that I, like most enthusiasts and collectors, had no idea who the man was prior to mid-2017. In 18 short months, Burgos has gone from a relative unknown to a cherished and sought-after illustrator.
Ruiz Burgos produces the best Terminator poster ever made in glorious detail here. And considering just how many Terminator art pieces have been commissioned and created, that's a mighty accomplishment. It's also his finest work to date and it demonstrates how remarkably good he has gotten in just the last year.
You only find this level of dedication when the artist is a fan of the source material and when the creator, is perhaps, being chased by the devil himself. Let's examine the piece a bit before heralding it's many, many wins. A few elements that absolutely must be raised: these posters are printed on a foil paper meaning all the art and color is (deliciously) atop a layer of chrome. There is no 'regular' vision for the poster. Burgos mapped out his central composition and almost every other element otherwise has been changed. A stunning accomplishment all around. No commercial versions of the art were ever made available for sale. Had it not been for Mann's quietly amazing Dr. No, this would definitely be my poster of the year.
Ruiz Burgos is fearless in his approach to well-celebrated film properties. There have been what seems like a zillion Pulp Fiction movie posters unleashed over the last 15 years and few to none of them are superior to this one. Burgos' clean design features a collage-style piece which as your eye moves over the art, proves to be the silhouettes of assassins-for-hire Jules Winnfield and Vincent Vega. The muted wall behind them riddled with bullet holes.
Elements of this particular art that should be celebrated and loved: the non-repetition of characters. Collage-style art has a tragic downfall.. by celebrating so many scenes from movies, primary characters are often captured too many times. I like to call it collage neurosis. Vince is captured twice as is Mia but their second appearances are in that winning dance floor scene which works really well to visually widen the piece at the base, providing balance. It works. Bruce Willis, as dreamer/boxer Butch Coolidge, with a sword standing above a ball-gagged Marsellus Wallace - is perfection. And you have to love the inclusion of tangential but fun characters like Jimmie (Quentin Tarantino) and The Wolf (Harvey Keitel). I mean.. bad-ass!
Seems like a good time to mention the differences between licensed and unlicensed art. Licensed art can be mass-produced (like the movie posters you see in national theaters) or limited run. Unlicensed poster art (or "fan art" or "commission work" or "alternative movie posters") are the fastest growing area of movie poster collecting. Typically unlicensed art is short run and, in some cases, exceedingly difficult to acquire if you don't locate it right away. Creatively, I love artists who take chances and I've found (for the most part) the finest work the last half-decade has been unlicensed. Many artists launch unlicensed work until they gain the exposure and following needed to be offered commercial opportunities - but that's not the case for everyone. And even celebrated artists love the freedom of doing "inspired by film" work as it allows them complete flexibility - work that might not be granted approval by license holders.
Belgium artist Laurent Durieux is celebrated as one of the most gifted silkscreen artists by collectors around the world. You'll find nearly everything the man has ever created has sold out in just minutes making the proposition of acquiring one of his pieces a difficult endeavor. An art show celebrating the man's museum-quality work was just recently held here in the United States and along with it came a number of new pieces - including this eye-popping Apocalypse Now (1979)poster which is probably the best thing that rich film has ever seen.
Calling himself an "art and cinema enthusiast," Polish designer Gabz (his full name is Grzegorz Domaradzki) has had this thumb on the pulse of poster art the last three years. His screen prints decorate the houses of collectors all over the world, and his work has gained a large group of dedicated fans. He has presented his works at many foreign exhibitions, and his group of clients includes Marvel Studios, Warner Bros, 20th Century Fox, Paramount Pictures and various other global brands.
I never believed someone would make a great print for Purple Rain (1985) and while it's entertaining, I can see why. A good deal of the film is caricature.Prince's music career - which was already underway but thoroughly initiated with the movie - tells the tale. In one shining moment, Gabz executes the best Purple Rain poster ever and the best Prince print. (Really bummed I missed out on this one since it's sure to command huge secondary-market pricing for years to come.) And which to choose? I was all-in on the regular (all purple, right?) but the more I look at the variant, the more I have fallen in love.
Now we head to a movie franchise that needs no introduction. Every year there are literally dozens of Blade Runner prints introduced so it takes a whole lot to make a creative dent in the world of art. Christopher Cox did that this year with his sensational print for the 1982 sci-fi masterpiece.
Cox lovingly curates a series of scenes in this poster - dividing them (literally) in the words 'BLADE RUNNER.' The poster does what the film did; let's the scenes (some of which are clear and others dreamlike) explain the storylines. It's a stellar piece and worthy of a film that is still being mentally-unpacked by viewers two generations later.
Ise Ananphada is a freelance illustrator from Bangkok,Thailand. She is known for her feminine illustration style with delicate detail and pastel color palettes. Ise attended Rangsit University in Thailand and received a BFA in Visual Communication Design as the first class honor in 2007. Ise's style is influenced by traditional Thai art that consists of multiple layers of symbolism that could be described as visions, illusions, madness, genius and poetry.
Ise's three versions of this remarkable Wizard of Oz poster (regular is above followed by the purple-colorway and platinum-colorway variants) represents one of her finest art pieces for the movie to date and celebrates aspects of both the 80 year-old classic and the book on which it was based. Each of the variants (below) offer enhancements and differing side characters making this a crazy-detailed labor of love. A most worthy round-out of my Top Ten Movie Posters of 2018.
Honorable Mention (Just missed my Top 20) Do an internet search on these babies
The Man Who Fell To Earth by Martin Ansin
Annihilation by Greg Ruth
Logan's Run by Martin Ansin
Dead Ringers by Sara Deck
Bride of Frankenstein by Greg Ruth
Aliens by Rory Kurtz
Look at Me (Heat) by New Flesh
Stand By Me by Barret Chapman
Hereditary by Greg Ruth
The Wolf Man by Eric Powell
Thief by Robert Sammelin *
*denotes posters added following initial publication
(So many releases, it's easy to miss a few here and there!)
Nemes teams up with Addison Chase from Dressed for the Occasion to perform Yoshimi by The Flaming Lips. They picked a pointed and poignant track. Originally released by The Flaming Lips 16 years ago, the track has become a bit of indie rock canon, however - it's the perfect end of year song since the melancholy track pokes at realization of mortality, artificiality, passiveness and deception... what better way to celebrate the holiday?
In Their Own Words - Nemes (pronounced knee•miss) has made their mark on the Boston and larger New England music scene by playing everywhere from subway stations to highly-revered rock venues. Led by duel-frontmen Dave Anthony and Josh Knowles, the band showcases a true metamorphosis of sound, featuring warm, layered harmonies and one-of-a-kind violin shredding Vanyaland describes as "fiddle-action glory."
In Their Own Words - Combining visceral college-rock with angular post-punk, Swine Tax have established themselves as a distinctive and formidable band. Formed in 2017, the abrasive Newcastle upon Tyne trio quickly found themselves at the heart of the North East alternative music scene.
Their captivating and relentless performances have seen their live reputation continue to grow, typified by them being invited to share stages with the likes of the Orielles, Brix & the Extricated, Bully, Jeffrey Lewis, Shopping, the Nightingales, Spiral Stairs and more.
Swine Tax are currently working on new material for release in early 2019.
